by Eric Hsu
What does a curator do in a garden? It is a common question visitors ask during meet and greet sessions.
In an art museum, a curator organizes exhibitions, writes educational materials, and oversees restoration. He or she becomes the spokesperson for the museum’s work as much as the director or CEO does. However, overseeing the management and direction of an art collection is not different from that of a plant collection. Depending on the institution’s mission, a curator may be focused on the aesthetics of plants, i.e. designed for color or texture, – after all it is the beauty after edible use that are the plants’ draw cards.
It may be implausible to point out the similarities because whereas art or artifacts are inanimate objects, plants are ever dynamic living organisms whose success or demise cannot be predicted. As custodians of plant collections, curators must call upon themselves and the talents of horticulturists to secure the survival and conservation of plants. They may lead plant hunting expeditions to expand the extant germplasm or uncover exciting ornamental plants. Their drive for conservation and acquisition is the same in art museums where collections simply cannot be ossified for preservation, but must be open or exchanged for interpretation. Plants, like artwork, are a reminder of our cultural heritage – when Ben Stormes, the University of British Columbia Botanical Garden’s Curator of the North American Collections heads into the Cascade Mountains, he is returning with new ideas to express the importance of the forest ecosystems to the public. Or when Matthew Pottage, Curator of RHS Wisley, sets out to educate the public about alternatives to boxwood, which is badly decimated from box caterpillar or box blight. Peter Zale, Curator of Plants and Plant Breeder, is building up Longwood Gardens’ boxwood germplasm as insurance. As the Head of Plant Collections, Matt Lobdell has access to different scientific and public education initiatives at the Morton Arboretum, Illinois.